echography (egg) temple for al cosmic arrivals

” A velvet Ant, a Flower and a Bird”
Potter Museum, Melbourne Australia
Group Show

Curated by Chus Martinez
2026

Echography (egg) temple for all cosmic arrivals
Graphite pencil and acrylic paint on raw fabric
7. 5 meters by  2.75 m

Drone Photos by Cyril Perez.

Produced specially for this exhibition, Echography (egg) temple for all cosmic arrivals unfolds as a vast, oval field of concentric blue rings, drawn directly onto canvas. The work reads like a cartography of energy or a sonic ripple, expanding outward from a dense, luminous center. At the heart of the drawing, an egg contains a bird—an image of incubation, potential, and imminent emergence.
In Eduardo Navarro’s drawing practice, metamorphic energies and beings in continuous transformation are recurring themes and working methods. Drawing becomes a way for him to affirm that there is no such thing as closure or a definitive end, but rather an eternal flow—one that connects, reconnects, and gives meaning to every stage of life and afterlife. Lines do not conclude; they circulate, echo, and return, sustaining a sense of ongoing becoming.

This work is also deeply mythological—unapologetically so. It resonates with thousands of poems, stories, and images across cultures that understand birth as an origin to be protected, cared for, and revered, rather than something to be exploited or destroyed. The egg at the center stands as a primordial symbol of fragility and power, holding within it the promise of life and transformation, and situating the drawing within a timeless narrative of care, continuity, and cosmic responsibility.